
Winter Japanese Gansai Watercolor Set
One of the possible byproducts of the situation we find ourselves in is a renewed heightened awareness of nature. The song of birds, the silence of the sky, the passing of the seasons have filled the emptiness of time with a welcome rekindling of earth's motherhood and all the meaning that entails, thanks Nature!
Details
Color Breakdown:
139 - Honai - True indigo
208 - Amairo - Flax
44 - Gunroku - Mixed green - traditionally this pigment is made of a mixture of azurite and malachite.
11 - Kuro - Black
220 - Ruri-iro - Lapis lazuli blue
204 - Mizu-iro - Light blue; literally ‘water colour’
64 - Paaru-ao - Pearlescent blue
24 - Kodai-Rokusho - Ancient verdigris - green is traditionally associated in Japan with matcha tea and the ever important tea ceremony.
222 - Aoi-iro - Named after the light purple mallow flower, traditionally used in Japanese medicines.
25 - Shinsha - Cinnabar
22 - Kogecha - Charred tea
23 - Gin-nezu - Light grey; literally ‘silver mouse’
36 - Kin-oudoiro - Golden ochre
2 - Oudo - Ochre; perhaps the oldest pigment, found globally in prehistoric cave paintings - synthetic alternatives to the natural pigment are more frequently used today, as in this instance. 216 - Zouge-iro - Ivory
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!
Original: $110.00
-70%$110.00
$33.00More Images


Winter Japanese Gansai Watercolor Set
One of the possible byproducts of the situation we find ourselves in is a renewed heightened awareness of nature. The song of birds, the silence of the sky, the passing of the seasons have filled the emptiness of time with a welcome rekindling of earth's motherhood and all the meaning that entails, thanks Nature!
Details
Color Breakdown:
139 - Honai - True indigo
208 - Amairo - Flax
44 - Gunroku - Mixed green - traditionally this pigment is made of a mixture of azurite and malachite.
11 - Kuro - Black
220 - Ruri-iro - Lapis lazuli blue
204 - Mizu-iro - Light blue; literally ‘water colour’
64 - Paaru-ao - Pearlescent blue
24 - Kodai-Rokusho - Ancient verdigris - green is traditionally associated in Japan with matcha tea and the ever important tea ceremony.
222 - Aoi-iro - Named after the light purple mallow flower, traditionally used in Japanese medicines.
25 - Shinsha - Cinnabar
22 - Kogecha - Charred tea
23 - Gin-nezu - Light grey; literally ‘silver mouse’
36 - Kin-oudoiro - Golden ochre
2 - Oudo - Ochre; perhaps the oldest pigment, found globally in prehistoric cave paintings - synthetic alternatives to the natural pigment are more frequently used today, as in this instance. 216 - Zouge-iro - Ivory
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
One of the possible byproducts of the situation we find ourselves in is a renewed heightened awareness of nature. The song of birds, the silence of the sky, the passing of the seasons have filled the emptiness of time with a welcome rekindling of earth's motherhood and all the meaning that entails, thanks Nature!
Details
Color Breakdown:
139 - Honai - True indigo
208 - Amairo - Flax
44 - Gunroku - Mixed green - traditionally this pigment is made of a mixture of azurite and malachite.
11 - Kuro - Black
220 - Ruri-iro - Lapis lazuli blue
204 - Mizu-iro - Light blue; literally ‘water colour’
64 - Paaru-ao - Pearlescent blue
24 - Kodai-Rokusho - Ancient verdigris - green is traditionally associated in Japan with matcha tea and the ever important tea ceremony.
222 - Aoi-iro - Named after the light purple mallow flower, traditionally used in Japanese medicines.
25 - Shinsha - Cinnabar
22 - Kogecha - Charred tea
23 - Gin-nezu - Light grey; literally ‘silver mouse’
36 - Kin-oudoiro - Golden ochre
2 - Oudo - Ochre; perhaps the oldest pigment, found globally in prehistoric cave paintings - synthetic alternatives to the natural pigment are more frequently used today, as in this instance. 216 - Zouge-iro - Ivory
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!




















