1960s Retro Japanese Gansai Watercolor Set
Details
Ā
Color Breakdown:
48 -Ā Azuki-ChaĀ - Literally translating to mean āAzuki bean teaā, this reddish brown pays homage to the Azuki bean which is ever popular in Japanese cooking.Ā
26 -Ā Ugoisucha-midoriĀ - Olive brown or nightingale tea green? The Japanese are good competition for the Brits when it comes to their love of tea, apparent in their colour naming!
47 -Ā Hatoba -Ā Usually translated to mean blue-black in the context of colour, but literally translating to āpigeon wingā, this bold pink references the lighter parts of pigeon feathers.Ā
33 -Ā Yoneki - āAmerican timberā which is a sandy yellow tone.
35 -Ā Fuji-murasakiĀ - A deep, royal purple named after the spectacular Japanese Wisteria.Ā
59 - AkaganeĀ - Copper or, more literally, red-goldĀ
46 -Ā Sora-iroĀ - Sky Blue
Choosing Keeping presents seven exclusive, special editions of 8 shades of Gansai. This Japanese alternative to standard European watercolours is not dissimilar to gouache and is made by a 100 year old paint maker in Japan. The paints can be used directly out of the box with a wet paintbrush - either thinly in translucent washes, or by layering for a bolder effect. These can also be used on darker paper bases to enhance colors further.
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!
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1960s Retro Japanese Gansai Watercolor Set
Details
Ā
Color Breakdown:
48 -Ā Azuki-ChaĀ - Literally translating to mean āAzuki bean teaā, this reddish brown pays homage to the Azuki bean which is ever popular in Japanese cooking.Ā
26 -Ā Ugoisucha-midoriĀ - Olive brown or nightingale tea green? The Japanese are good competition for the Brits when it comes to their love of tea, apparent in their colour naming!
47 -Ā Hatoba -Ā Usually translated to mean blue-black in the context of colour, but literally translating to āpigeon wingā, this bold pink references the lighter parts of pigeon feathers.Ā
33 -Ā Yoneki - āAmerican timberā which is a sandy yellow tone.
35 -Ā Fuji-murasakiĀ - A deep, royal purple named after the spectacular Japanese Wisteria.Ā
59 - AkaganeĀ - Copper or, more literally, red-goldĀ
46 -Ā Sora-iroĀ - Sky Blue
Choosing Keeping presents seven exclusive, special editions of 8 shades of Gansai. This Japanese alternative to standard European watercolours is not dissimilar to gouache and is made by a 100 year old paint maker in Japan. The paints can be used directly out of the box with a wet paintbrush - either thinly in translucent washes, or by layering for a bolder effect. These can also be used on darker paper bases to enhance colors further.
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!
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Description
Details
Ā
Color Breakdown:
48 -Ā Azuki-ChaĀ - Literally translating to mean āAzuki bean teaā, this reddish brown pays homage to the Azuki bean which is ever popular in Japanese cooking.Ā
26 -Ā Ugoisucha-midoriĀ - Olive brown or nightingale tea green? The Japanese are good competition for the Brits when it comes to their love of tea, apparent in their colour naming!
47 -Ā Hatoba -Ā Usually translated to mean blue-black in the context of colour, but literally translating to āpigeon wingā, this bold pink references the lighter parts of pigeon feathers.Ā
33 -Ā Yoneki - āAmerican timberā which is a sandy yellow tone.
35 -Ā Fuji-murasakiĀ - A deep, royal purple named after the spectacular Japanese Wisteria.Ā
59 - AkaganeĀ - Copper or, more literally, red-goldĀ
46 -Ā Sora-iroĀ - Sky Blue
Choosing Keeping presents seven exclusive, special editions of 8 shades of Gansai. This Japanese alternative to standard European watercolours is not dissimilar to gouache and is made by a 100 year old paint maker in Japan. The paints can be used directly out of the box with a wet paintbrush - either thinly in translucent washes, or by layering for a bolder effect. These can also be used on darker paper bases to enhance colors further.
Included is a blank letterpress swatch card featuring each individual colour name to be painted in for colour referencing. This can come in handy as appearances can be deceiving and each colour is only revealed once wet and set to paper!
